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But before you even get to the interdimensional time-travelling hijinks, you run into these distinctly xenomorph-looking creatures in a regular modern sewer.
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Giger’s art has (strangely enough) become an iconic and highly recognizable subgenre of sci-fi, inspiring in it’s unreality via uncomfortably combining the unfamiliar and the intimate.
But occasionally the shoehorning of these hideous sex aliens into a video game just makes zero sense, no matter how you look at it. I know in later games the biomechanical aliens become present much earlier, but in the first two games, you spend half of each game battling human soldiers in a fairly straightforward, if distinctly cybernetic, jungle shoot-em-up not unlike many Vietnam-era/Rambo-inspired games of the time.
Individualists abhor uniformity of all kinds, while conservationists believe them to be necessary.
The dissidents on the both sides of the fence have certain reservations on whether uniforms be made compulsory in schools.
The last stage is this twisted alien sex-tentacle bondage dungeon with literally no explanation. Still, nothing prepares you for the boss of this game.